The best archivist I ever knew was also a coder and my best friend. Her name was Chloe Weil.
Recently, Chloe committed suicide. It is a tragedy for many reasons. She was stunning. She wowed people with her creativity. In everything Chloe did, she left a piece of herself in it. This made her work feel authentic, thoughtful and personal. Her work let others into her world. On her blog Chloe wrote 101-word journal entries, guided us through her artistic process and shared some really cool web projects. Chloe has left behind an online archive that is almost as rich and profound as the girl we loved being around. This post and my next will show off two of Chloe’s web based projects that expanded my ideas about sharing personal archives online.
I have been meaning to write about Chloe’s work on Library Manifesto for a while. I haven’t until now because she was too great a writer. No one could explain her work better than she did. Her posts were always humorous, conversational and succinct. She explained highly technical web projects in accessible ways and used her personal life to make web jargon more relatable.
Chloe tracked all of her music intake. In High School she began using iTunes data fields in ways they weren’t intended; tagging and organizing songs by when she listened to them most. Chloe wrote, “To organize music based on artist or album or even year released is extrinsic; the music has always been about me.” While others would balk at sharing such personal details of their life, Chloe embraced it.
I encourage you to look at the site. You’ll be immediately drawn to a stack of coral colored columns, each representing a year between 2001 and 2013. Select a column for a year, say 2012, and you are taken to that year’s songs, 74 for 2012. You might look for songs you listened to that year too. If you click on a song a music player pops up displaying an animated beating heart while playing back a snippet of the song. The beating heart reminds me of Chloe’s playful details. The project introduced me to some amazing music I had never heard before from bands like The Stranglers and The Go-Betweens. I learn about a new band every time I go back to her site.
“Do you remember in High Fidelity when Rob is organizing his record collection autobiographically? That’s the closest analog to this model. Each of my season-year playlists has the emotions and experiences of that three-month moment encoded into every song it contains. I’ve inadvertently managed to create a detailed narrative of my life just from the way I ended up organizing my mp3s. If want to feel how I felt my freshman year of college, I just filter my library for 2003FALL and I get all the tracks I listened to then, all the emotions I’d experienced, and the general mood of that period in my life. Say I want to re-experience my first year in Portland, although I don’t know why I would want to live through that again. I filter my library to 2009 and get 2009SPR, 2009SUM, 2009FALL, and 2009WIN. Say I only want to experience every summer of the past ten years. I filter my library by SUM and I’m having those rich emotional experiences again.”
Here’s Chloe’s conclusion from her technical write up. I’ve included it because I find it inspirational.